13
ASAA
Oliveira LS
Dichotomy of music in the approach of tension headache
Introduction
H
eadache is characterized as one of the most frequent dis-
eases of the nervous system.
1
For many authors, headache
is considered a public health problem due to its high preva-
lence - since more than 90% of the population will present
this clinical condition throughout their lives according to the
World Health Organization (WHO)
2,3
and for its negative
impact on quality of life.
4
Tension-type headache is one of the most recurrent types,
given its triggers arising from daily stress.
5
Tension-type head-
ache affects two thirds of adult men and more than 80% of
women.
4
It can also be conceptualized as "constrictive head-
ache, usually bilateral, with mild to moderate intensity, not
aggravated by routine physical activities and with a variable
duration between 30 minutes and 7 days".
6
In this sense, music is seen as an antithesis in the sense of
its relief action or not, in such type of headache. Moreover,
music is closely related to people at different times, not only
as a social element, but also a professional one.
7
Because of
this, when music is heard with great frequency and intensity,
it can bring irreversible damage to hearing, besides causing
stress to the individual, with release of typical hormones such
as cortisol, which can cause and/or intensify the occurrence
of tension-type headaches.
7
Still at this juncture, many studies have been developed re-
garding music therapy, in a non-pharmacological approach
in the treatment of headaches. This mechanism is a com-
plementary therapy based on the integration of listening to,
producing, or composing music in the therapeutic process.
8
It has thus been found that "classical music therapy can re-
lieve the intensity of headache attack and reduce emotional
stress”.
9
Since, according to the same authors, the effects of
the intervention consist in the acceleration of cerebral blood
ow, reducing the pressure in these vessels, starting from
an interaction of hormones related to relaxation. Given the
relevance of the topic in the current situation, both by the
frequent incidence of headache, and the signicance and
scope of music at different times throughout life, the devel-
opment of this work is based focusing on the relationship of
the elements mentioned above. Thus, its development aims to
identify the real effects of routine music listening in patients
with tension-type headache, from reports in the current litera-
ture since the existing articles are not very enlightening when
gathering the thresholds of music for the disease in question.
Metodology
The present study consists of an integrative literature review
on the effects of routine listening to music in patients with
tension-type headache. The PICO (acronym for Patient, In-
tervention, Comparison and Outcome) strategy was used
to develop the research question of the integrative review.
Thus, the dened research question was "Can people with
tension-type headache have their symptoms changed by
routinely listening to music? In it, we have P= People with
tension-type headache; I= routine listening to music; and
O= altered pictures. After establishing the search keywords,
the descriptors "Tension Headache and Music"; "Tension
Headache and Altered Charts"; "Music and Positive and Neg-
ative Effects and Headache"; "Music and Headache" were
crossed in the following databases: Virtual Health Library
(VHL); National Library of Medicine (PubMed MEDLINE),
Scientic Electronic Library Online (SCIELO), and EbscoHost.
The search was conducted in the month of September 2020.
Studies published between 2010 and 2020 were considered.
The strategy for selection of articles followed the following
steps: search of the selected databases; reading of the titles of
all articles found and exclusion of those that did not address
the subject; critical reading of the abstracts of the articles
and full reading of the articles selected in the previous steps.
Eighteen articles were found, of which the published titles and
abstracts were read. Inclusion criteria were original articles
that addressed the research topic and allowed full access
to the study content; studies that did not meet the above
inclusion criteria were excluded. After careful reading of the
publications, six articles were not used due to the exclusion
criteria. Thus, 12 articles were selected for the nal analysis
and construction of the literature review on the theme.
Results and Discussion
In study 1 (Table 1), 36% of adolescents who were exposed
to listening to amplied music presented headache as an
extra-auditory symptom, while in adolescents not exposed,
25% presented this symptom. However, these were not young
people who had a clinical diagnosis of tension-type head-
ache.
10
In consonance, study 5 (Table 1) obtained similar
results, in which 74 (62.20%) of the amplied music listeners
reported having headache, while 13 (59.10%) of the non-us-
ers reported this symptom.
13
Still regarding studies in which
listening to music proved to be favorable to the occurrence
of headache, when analyzing two groups of young people/
adults regarding the use of headphones in two distinct inten-
sities - high and extended high - it was obtained that 29 of
182 participants who listened to music with high extended
intensity, reported feeling headaches, while 7 of 46 who
listened with high frequency reported this symptom.
14
In study
2 (Table 1), 78 young patients with tension-type headaches
were analyzed, who would receive the music therapy pro-
cedure over 8 weeks, being composed of two groups, one